Everything Is Always a Process

by Bluestaeb

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bluecutent I love live, good music. Blessings Favorite track: Alright.

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1.	No Time for Small Talk 01:57		buy track
2.	MR (feat. Noah Slee) 02:26		buy track
3.	Hey 01:08		buy track
4.	Left & Right 03:08		buy track
5.	All Smooth (feat. Ash Shakur) 02:57		buy track
6.	STAAAY 02:22		buy track
7.	No Way (feat. Harleighblu) 03:26		buy track
8.	How It's Done 01:38		buy track
9.	Complete 01:28		buy track
10.	Alright 03:21		buy track
11.	Hot Shit 01:30		buy track
12.	Mind (feat. Noah Slee) 03:09	info	buy track
13.	What It is 02:32		buy track
14.	All Day (feat. Pete Flux) 03:19		buy track
15.	Last Minute Session Cut (feat. Melodiesinfonie & S. Fidelity) 02:08		buy track

about

Bluestaeb is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

In 2015, his critically acclaimed sophomore album "Rodalquilar"(via Jakarta Records), set a blueprint for this approach by
combining warm samples, futuristic synth melodies and tight drum
programming. The album is dedicated to the Andalusian town of the same name, a mythic place in the south of Spain, where Bluestaeb spent much of his childhood and where still continues to gather inspiration from.

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Darbuka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.

Today, Bluestaeb lives and works in Paris and Berlin and is set to
release his third solo album “Everything Is Always a Process”, a
smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie, via Jakarta Records in 2018.

credits

released June 15, 2018

EVERYTHING IS ALWAYS A PROCESS
Gesamtlänge 36:35 min

No Time For Small Talk (The Intro) 1:57 min
75 bpm
Paris 2017
Synth (Prophet 08 PE) & additional production by Jonathan Aréna

Mr feat. Noah Slee 2:28 min
94 bpm
Berlin & Paris 2015 - 2017
additional vocals by Giselle
mixed at Suff Daddy’s studio Berlin

Hey (Interlude) 1:08 min
91,66 bpm
Paris 2017

Left & Right 3:09 min
108 bpm
Paris 2017
Piano (Korg SV-1) & bass (prophet 8 PE) by Jonathan Aréna

All Smooth feat. Ash Shakur 2:57 min
114 bpm
Paris & London 2016 - 2017
saxophone by Martin Giffard
mixed by S. Fidelity at Abbey Road Institute London

STAAAY 2:23 min
92 bpm & 73 bpm
Paris 2016

No Way feat. Harleighblu 3:26 min
112 bpm
Berlin & Paris 2016 - 2017
bass guitar by Anthony (Pij Bass) Robinson
original piano composition by Benjamin James
recorded at Red Bull Studio Berlin

How It’s Done 1:38 min
89 bpm
Paris 2017

Complete 1:28 min
89,43 bpm
Paris 2017

Alright 3:22 min
111 bpm
Paris 2015 - 2016

Hot Shit 1:30 min
88 bpm
Berlin & Paris 2016
trumpet by Necky (Underground Canopy)
bass guitar by Anthony (Pij Bass) Robinson
piano (Rhodes) by Benjamin James
recorded at Red Bull Studio Berlin

Mind feat. Noah Slee & MAÏA 3:09 min
92 bpm
Berlin & Paris 2016 - 2017
additional piano (Korg SV-1) by Jonathan Aréna
guitar by Jeremy Guitarwatson

What It Is 2:33 min
95 bpm
Paris 2016 - 2017
Piano & Synth (Korg microKorg) by Jonathan Aréna

All Day feat. Pete Flux 3:20 min
89 bpm
Paris 2015 - 2017

Last Minute Session Cut (The Outro) feat. Melodiesinfonie & S. Fidelity 2:09 min
82 bpm
Paris 2017 - 2018

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about

Bluestaeb Paris, France

Paris / Berlin
Jakarta Records

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I'm drawn to the beat and overall presentation. While Harleighblu's scat vocals are a wonderful compliment to the overall presentation, (to me it's scat per Louie Armstrong, due to it not being actual singing). I would have really loved for her vocals to be more upfront and present in the track, like a Lauren Hill. Maybe this song wasn't the vibe for her to sing. I do like the track the most on the album. woodub
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